ACOUSTICS AND SOUND INSULATION
The average
sound travels at a speed of 340 m/s at ordinary temperature. It depends on the
medium through which it travels.
EFFECTS OF AUDIBLE SOUND
Sound can travel through some medium like air. It can
not travel in a vacuum. Thus for the sound to be audible to the ears, the sound
source and ear must be connected by an elastic medium like air. The
characteristics of audible sound are discussed below.
1. Frequency
of Sound
The frequency of pitch of sound is defined as the number of
cycles or vibrations per second. The highest audible sound (e.g., whisle) has a
frequency of 20000 cps (cycles or vibrations per second). The lowest audible
sound has a frequency of 20 cps (e.g., whispering). The frequency is a measure
of the quality of sound.
2. Intensity
of Sound
The intensity of sound is defined as the flow of sound
energy per second through the unit area. The intensity of sound is the strength of
the sensation received by the human ear. The intensity of sound is a purely
physical quantity. But loudness of sound depends on the characteristics of the ear.
3. Measurement
of Sound
The range of intensity of sound is very large. The
loudest sound is about 1013 times the sound which is just audible by the human
ear. There is a wide range of sound levels, it is realised that a scale has to
be adopted as guidance. The intensity of sound is measured on a logarithmic
scale due to wide range of variations of the intensity of sound. Bel is the
measure of the intensity of sound named after Graham Bell, the inverter of the telephone.
As the unit of bel is comparatively large, hence a
shorter practical unit decibel (db) is equal to 1/10th of a bel unit. The range of
audible sound to painful noise varies from 1 to 1013 which is covered on a logarithmic scale between 1 and 130 db units. Thus one db unit is approximately
the smallest change of sound intensity which the human ear can hear. Table below
(Sharma, 1988) shows the rating to sound generally experienced.
PRINCIPLES OF ACOUSTICS
The behaviour of sound plays an effective role in the
acoustical design of different types of buildings and in the sound insulation
process.
A sound originating from a source, such as music or the operation of a machine, is transmit- ted through the medium in all directions.
The transmitted sound strikes on some surface, like a wall, ceiling, floor or any
other barrier. Depending on the type of surface part of it is
The absorption coefficient for different surfaces
Sl.
No. |
Surface |
Absorption
coefficient per m2 |
1. |
Marble, metal |
0.01 |
2. |
Plaster on wall surface, stage curtain |
0.02 |
3. |
Unplastered brick wall (40 cm thick),
Glass against solid surface, Linoleum or concrete floor |
0.03 |
4. |
Solid wooden floor |
0.09 |
5. |
Framed wooden floor |
0.13 |
6. |
Window glazed |
0.18 |
7. |
Plywood on battens |
0.17–0.26 |
8. |
Ventilators |
0.10–0.50 |
9. |
Sound absorbent or acoustical materials |
0.50 |
10. |
Curtains in heavy folds |
0.40–0.75 |
11. |
Open window |
1.00 |
The reduction of the intensity of the sound of a transmitted
sound through a barrier is called as transmission loss. This transmission loss
is a measure of the effectiveness of a surface as an insulating material.
Thus transmitted and absorbed sounds have an important
bearing on the acoustical condition of a building. However, both transmitted
and absorbed sounds are interrelated and influence acoustic and sound
insulation.
Highly porous materials have the quality to dissipate
considerable energy and the absorption will be relatively high. Ideal
material for sound absorption should possess the following qualities:
(i) It should
have a high coefficient of sound absorption of the economy.
(ii) It should
be fire-resistant.
(iii) It should
have high structural strength.
(iv) It should
be unaffected by decay, attack by insects and vermin.
(v) It should be
easily workable to fit in any location.
ACOUSTICAL DEFECTS
The acoustical design of an enclosed space basically depends on the behaviour of the reflected sound. Due to the reflection of sound
two main defects are developed, viz., echoes and reverberation.
1. Echoes
Echo is said to be produced when a reflected sound wave
reaches the ear just when the original sound from the same source has already
been reached. The sensation of sound persists for one-tenth of a second after
the source has ceased. Thus an echo forms when the time lag between the two
sounds is about 1/17th of the second.
Further considering the velocity of sound in the
atmosphere air as 34.3 m/s, it is shown that when the distance of the
reflecting surface is between 8 and 17 m, echoes are formed.
The defect of echoes also occurs when the shape of the
reflected surface is curved with a smooth character. Echoes are unpleasant to
hear and cause disturbance to hear.
2. Reverberation
When the surfaces of an indoor place are hard and
smooth, very small energy is lost at each impact of sound and many reflections
take place before the sound dies down. This repeated reflection of sound is
called prolongation or reverberation. Then if sound exists too long, then
successive words of a speech will overlap and confuse.
The remedy for this defect is to select a correct time
of reverberation known as an optimum time of reverberation. This is achieved by
suitably selecting proper absorbent or acoustical materials for different
reflecting surfaces.
The acoustical level of a room and reverberation times are
shown in Tables Below shows the recommended values of the optimum reverberation
time in India for halls after considering the indicated audience strengths.
Qualities of good acoustical materials are as follows:
ACOUSTICAL MATERIALS
Common building materials are absorbents of different
levels. Such materials are called as absorbent materials.
Thermal Insulation Of Buildings | Purpose | Principles |
Materials | Methods
Acoustics level and reverberation time
Acoustics
Level |
Reverberation
Time |
Excellent |
0.50-1.50 |
Good |
1.50-2.00 |
Fairly Good |
2.00-3.00 |
Bad |
3.00-5.00 |
Very Bad |
Above 5.00 |
Optimum reverberation time for closed area
Sl. No. |
Type Of Hall |
Audience Factor |
Optimum
Reverberation Time (Sec) |
(A) |
Big halls |
Full |
2.00–3.00 |
(B) |
Music concert halls |
Full |
1.60–2.00 |
(C) |
Churches |
Two-thirds |
1.8–3.00 |
(D) |
Theatre |
Two-thirds |
1.30 |
(E) |
Public-lecture halls |
One-thirds |
1.50–2.00 |
(F) |
Law courts, Committee rooms, Conference
hall |
One-thirds |
1.00–1.50 |
(G) |
Parliament house, Assembly halls, Council
chambers |
Quorum |
1.00–1.50 |
Must read: Thermal Insulation Of Buildings | Purpose | Principles | Materials | Methods
Qualities
of good acoustical materials are as follows:
(i) An absorbent material should be economical for
construction and should be water-proof, fireproof, adequate strength and heat
resistant.
(ii) It should be durable and easy to maintenance.
(iii) It should have a high absorption capacity.
(iv) It should be easy to fix and should be
self-supporting. Some of the acoustical materials are discussed below.
1. Acoustic
Plaster
It is a granulated insulation material mixed with
cement. The quantity of cement used in such materials is to provide enough
strength and have sufficient pores. The coefficient of absorption varies from
0.15 to 0.30.
2. Acoustic
Tiles
These are commercially available materials with adequate absorbent qualities. The absorption of sound is uniform and most suitable for small rooms. But it is costly compared to other acoustical materials.
3. Porous
Boards
Straw boards, pulp boards and compressed fibre boards
have varied coefficients of absorption. These boards can be fixed by ordinary
panelling. The thickness is about 17 cm and the coefficient of absorption varies
from 0.17 to 0.50.
4. Perforated
Boards
The material can be formed by the combination of mineral
wool and cement asbestos or with mineral wool and hardboard. The coefficient
of absorption for the first combination is about 0.95 and for the latter is
0.20. Such boards are generally suspended from trusses.
5. Quilts
and Mats
These materials are made out of mineral wool or glass
wool. The coefficient of absorption varies which depend on the thickness of the
board or mat, density, perforations, mode of fixing and frequency of sound.
SOURCE: BUILDING CONSTRUCTION MATERIALS AND TECHNIQUES | P. PURUSHOTHAMA RAJ
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